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Jimi Hendrix is known for being the first guitarist to musically master guitar feedback incorporating it into his music with both recordings as well as live.


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0:00 / 6:43 Jimi Hendrix On An Acoustic Guitar (only known 2 videos RARE) Echelon Entertainment 70.9K subscribers Subscribe Subscribed 387K Share 21M views 6 years ago #HoundDog #JimiHendrix.


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Jimi Hendrix played a Fender Stratocaster guitar for the majority of his career. Most of the Stratocasters that he played were made in the mid to late 60s, and all of them were right-handed, even though Jimi himself was left-handed. On a few occasions, Jimi played a Gibson Flying V or an SG, but a Stratocaster was always his main guitar of choice.


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James Marshall " Jimi " Hendrix (born Johnny Allen Hendrix; November 27, 1942 - September 18, 1970) was an American guitarist, songwriter and singer.


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Jimi Hendrix mainly played Fender Stratocaster guitars, alongside his Gibson Flying V. He relied mainly on Marshall amplifiers, with huge stacks and gain knobs turned up as high as they could go. His effect pedals were his coup de grace, including a Vox Wah pedal, several fuzz pedals, and some other exciting gear too.


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November 27th, 1942 - September 18, 1970 Widely recognized as one of the most creative and influential musicians of the 20th century, Jimi Hendrix pioneered the explosive possibilities of the electric guitar. Hendrix's innovative style of combining fuzz, feedback and controlled distortion created a new musical form.


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Honoring the electrifying "Voodoo Chile" who popularized the Stratocaster guitar and its tremendous sonic flexibility, the Jimi Hendrix Stratocaster gives you the same fiery tone and playing feel to wield as your own.


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Jimi at 80: Born in Seattle on November 27, 1942, Jimi Hendrix would have celebrated his 80th birthday this week. Throughout this week on Guitar World, we'll celebrate his genius and game-changing impact on the world of guitar playing. Nobody knows the ins and outs of Jimi Hendrix's guitar sound like Roger Mayer.


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Jimi Hendrix was a man whose sound was rooted in blues but seemingly refracted through the cosmos and the psychedelic feedback loop of the Swinging Sixties. His style is a lost art. Hendrix used volumes in ways that were unique to him and prohibited by the practicalities of modern stages, sound limits, etc.


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Jimi Hendrix - a guitar player so iconic that he's even the most non-musical person's reference point for six-string greatness. What's more, for someone whose time in the spotlight effectively spanned just four years and three studio albums, there is - thankfully - a colossal amount of Hendrix material to consider.


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Jimi Hendrix: The Five Rules of His Powerful Rhythm Style By Dale Turner published 14 April 2020 While studies in Jimi Hendrix's guitar work typically focus on his lead work, this lesson explores his inventive rhythm work. (Image credit: Getty/Walter Iooss Jr.)


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Jimi at 80: Born in Seattle on November 27, 1942, Jimi Hendrix would have celebrated his 80th birthday this week. Throughout this week on Guitar World, we'll celebrate his genius and game-changing impact on the world of guitar playing.


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Strings 1 Cables 1 Sort by: Most Relevant Hide incorrect submissions Gibson Jimi Hendrix Flying V - Psychedelic Paint Solid Body Electric Guitars This photo shows Jimi Hendrix with 1967 Gibson Flying V guitar, which he hand painted himself (the guitar was originally black). more Verified Correct, Supported via i.pinimg.com


This and about 100 more insanely important famous guitars from all famous guitarists include

Jimi Hendrix was well known for playing Fender Stratocaster guitars. He owned several Stratocasters and played a wide range of other guitars as well, but many didn't last long as they were smashed or burned at the end of a live show. See the full list of notable Jimi Hendrix guitars below. 1964 White Fender Stratocaster (Carol)/ (Linda)


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Asato, who studied Hendrix at Musicians Institute in Los Angeles - in a class actually devoted to Hendrix's guitar playing - credits Jimi's double-stops with inspiring him to look beyond the conventional separation of chords and licks and continuing exploring the instrument. "[In the class,] we would grab a chord progression and then.